Home | Courses | Specialities | Scuba Parties | DAN Courses | Dates | Servicing | Special Offers | Members | Dive Sites | Holidays | FAQ's | Online Shop

 

 

 

 

 

 

films - fact and fiction

The Cave
Deep in the Romanian forest, a team of scientists stumbles upon the ruins of a 13th Century Abbey. On further inspection, they make a startling discovery – the Abbey is built over the entrance to a giant underground cave system, so they hire a group of American cave-explorers to help them investigate its depths. JACK (Cole Hauser) and his brother TYLER (Eddie Cibrian) are thrill-seeking professional cave explorers who run a team of the top divers in the world. They arrive in Romania with all the latest equipment, including a new type of scuba tank allowing a diver to remain submerged for up to 24 hours. The Crack units, which also includes CHARLIE (Piper Perabo) and BUCHANAN (Morris Chestnut), immediately begins their exploration. But what they find deep inside the cave is not just a new eco-system, but an entirely new species altogether…..

 
Into the Blue
Treasure has its price in this gripping underwater thriller set off the tropical shores of the Bahamas.

Four young divers discover a legendary shipwreck rumoured to contain millions in gold at the bottom of the sea. But nearby on the ocean floor, a plane full of illegal cargo threatens their find and, with their loyalties tested, the treasure hunters soon find themselves as the hunted...

Deep Blue
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit, the same team that produced the acclaimed BBC series The Blue Planet. Set to a sweeping score by George Fenton (Dangeroius Liaisons, Shadowlands) and with narration from Sir Michael Gambon, Deep Blue is an epic cinematic rollercoaster ride for all the ages with footage that will amaze viewers with their beauty and stun them with their grandeur.

Despite the fact that the sea constitutes two thirds of our planet, we know more about the surface of the moon than we do about the deep oceans. Assembling 20 specialised camera teams, over the course of 5 years directors Alastair Fothergill and Andy Byatt shot over 7000 hours of footage in more than 200 locations around the world for more than five years. New species of ocean dwellers were discovered and many were photographed for the first time ever!
 

The Life Aquatic with Steve Zissou
Internationally famous oceanographer Steve Zissou (Bill Murray) and his crew -- Team Zissou -- set sail on an expedition to hunt down the mysterious, elusive, possibly non-existant Jaguar Shark that killed Zissou's partner during the documentary filming of their latest adventure. They are joined on their voyage by a young airline co-pilot who may or may not be Zissou's son (Owen Wilson), a beautiful journalist (Cate Blanchett) assigned to write a profile of Zissou, and Zissou's estranged wife and co-producer, Eleanor (Anjelica Huston). They face overwhelming complications including pirates, kidnapping, and bankruptcy.
Open Water
Shot on digital video with a pair of unknown actors (Blanchard Ryan and Daniel Travis) who tread water for most of the film's brisk 79-minute running time, Open Water is a fact-based exercise in primal fear that will scare the socks off anyone who dreads death from the deep, but it's familiar stuff if you've ever watched "Shark Week" on the Discovery Channel (which is mentioned in writer-director Chris Kentis's economical screenplay). If you can't accept that a trendy young couple could be accidentally abandoned during an open-sea diving excursion (but hey, it really happened!), then you'll surely be hooked by the intense what's-gonna-happen anxiety that escalates when the horrified vacationers realize they've got unwanted company. It's too easy to call Open Water a poor man's Jaws, and the movie's too realistically frightening to be compared to the popcorn thrills of Deep Blue Sea, so what you've got here is a shark movie that creates its own little low-budget niche. Before placing his actors in actual proximity to sharks, Kentis betrays them with some silly, bickering dialogue, but with adequate realism in its favour, Open Water offers a perfect excuse to stay on the beach. --Jeff Shannon

Synopsis

While on an island holiday, certified scuba divers Daniel and Susan board a dive boat for an underwater tour of the local reef. However, after being underwater for only forty minutes, the couple are accidentally left behind. Alone in open water, the couple must survive the elements and the shark-infested water. Based on true events.

 

Shark Tale
A new school will rule!
Oscar (Will Smith), a lowly tongue-scrubber at the local Whale Wash, becomes an improbable hero when he tells a great white lie. To keep his secret, Oscar teams up with an outcast vegetarian shark, Lenny (Jack Black), and the two become the most unlikely of friends. When his lie begins to unravel, it¿s up to Oscar¿s loyal friend Angie (Renée Zellweger) and Lenny to help him stand up to the most feared shark in the water (Robert De Niro) and find his true place in the reef.
 

The Big Blue
A hit in Europe but a flop in the US--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching).
Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech).
Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker, Amazon.com --This text refers to the VHS Tape edition.
Synopsis
A unique epic adventure/romance, filmed over eight months on locations from the Riviera to Sicily, Corsica, Paris, New York and The Virgin Islands. When Joanna first meets Jacques it is his innocence and mystery which attract her, she then follows him to Peru, and later to Europe, where Jacques becomes involved in the dangerous sport of free diving.
 

Finding Nemo
A delightful undersea world unfolds in Pixar's animated adventure Finding Nemo. When his son Nemo is captured by a scuba-diver, a nervous clownfish named Marlin (voiced by Albert Brooks) sets off into the vast--and astonishingly detailed--ocean to find him. Along the way he hooks up with a scatterbrained blue tang fish named Dory (Ellen DeGeneres), who's both a help and a hindrance, sometimes at the same time.
Faced with sharks, deep-sea anglers, fields of poisonous jellyfish, sea turtles, pelicans and much more, Marlin rises above his neuroses in this wonderfully funny and non-stop thrill ride--rarely does more than 10 minutes pass without a sequence destined to become a theme-park attraction. Pixar continues its run of impeccable artistic and economic successes (Toy Story, A Bug's Life, Monsters, Inc). Supporting voices include Willem Dafoe, Geoffrey Rush and Allison Janney. --Bret Fetzer
 

Men of Honour
Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me son").
The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix".
 

The Blue Planet
An epic, eight-part series that took five years to complete, The Blue Planet firmly re-establishes the BBC as the world's pre-eminent producer of top quality nature documentaries. Exploring every aspect of marine ecosystems, from coastal marshes to deep-sea trenches and from polar waters to tropical reefs, The Blue Planet is thorough and informative, yet never less than thrilling. Sir David Attenborough is one of the most well-respected (and well-known) personalities in the field of nature programmes, and his narration is flawless as he educates and inspires without ever patronising his audience or anthropomorphising his subjects. Spectacular camera work (of a standard not seen since the BBC's classic Life on Earth series) captures images of a fascinating world rarely seen by human eyes--in fact, in several instances, the subjects and behaviours filmed for this series have never been witnessed before, let alone caught on camera. This is particularly apparent on the series highlight, "The Deep" (Programme 2), where film crews discovered two new species in the depths of the ocean: a grotesque fish named the hairy angler and a fantastic, pink octopus-like creature which is so new that it remains unnamed (but was nicknamed "Dumbo"). Both are testament to the fact that, although oceans cover two-thirds of the Earth, we know less about them than we do the moon. It's proof that, to us land-dwellers, much of our world is alien indeed. A handsomely illustrated companion book is also available. --Robert Burrow

A search for the great Sharks of the world, chapters include: 'Domain Of The Shark', 'Behaviour', 'Steel Cage', 'Western Australia', 'Spotted', 'Great White Shark' and 'Ancient Survivors'.

Deep Blue Sea
An amazing cure for brain cancer is discovered. The cure is harvested from the brains of sharks. In an attempt to cure Alzheimer's, Doctor Susan McAlester begins experimenting on sharks in an attempt to increase the harvest of the antidote.... The sharks begin to grow bigger and smarter...

Real Sanctuary
Featuring the music of Hilary Stagg. Not a single spoken word...Join in a peaceful exploration, a musical and visual journey through shimmering waters and beckoning coral reefs. Magnificent French Angel Fish escort you through a timeless underwater world while the magical Lion Fish pirouettes in a private dance, creating tranquility and relaxation.

Voyage to the Bottom of the Sea
20,000 Leagues Under the Sea gets a dose of On the Beach in Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea. While the Seaview, the world's most advanced experimental submarine, maneuvers under the North Pole, the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks, and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most formfitting naval uniform you've ever seen, fish-loving Peter Lorre plays in the shark tank, gloomy religious fanatic Michael Ansara preaches Armageddon, and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. --Sean Axmaker

Fantastic Voyage
2001: A Space Odyssey took the world on a mind-bending trip to outer space, but Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the center of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colorless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasance is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvelous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply, and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturized humans breathe full-sized air molecules?) seem moot.
--Sean Axmaker

 

The Abyss
The Abyss
Special Edition two-disc set has plenty of neat extra features, but is let down a little by the non-anamorphic 2.35:1 letterboxed picture. Sound, on the other hand, is vivid THX mastered Dolby 5.1. Happily, the first disc contains both the original theatrical cut and the extended special-edition version. There's a reasonably informative though inevitably rather dry text-only commentary. The principal extra on Disc 2 is a 60-minute documentary, "Under Pressure", with retrospective interviews in which cast and crew detail the extraordinary challenges involved in making the film, and more than one near-death experience. In addition there's the complete screenplay, various different pieces on the effects sequences, storyboards, artwork, DVD-ROM features--in short, plenty to keep even jaded DVD enthusiasts amused for hours. The menu interfaces for both discs are a treat and the set comes with a good 12-page booklet. --Mark Walker